1. Han Shichang and Bai Yunsheng and other artists formed the North Queensland community, Cheung Hing lasted two years, the tour Shandong, Henan, Hunan, Hubei, Jiangsu, Zhejiang province, six performances will be spread to the south the north Kun Opera.
韩世昌与白云生等北昆名家组成祥庆社历时两年，巡回山东、河南、湖南、湖北、江苏、浙江6省演出，将北方昆曲向南方传播。
2. Qiyang opera, with a long history of more than 500 years in Hunan, had formed a relatively mature inherited system in locality in the past.
中文摘要祁剧是一个有着500多年历史的湖南地方大剧种，它在过去的民间语境中本身已有一套比较成熟的传承体制。
3. According to different performing forms, makeup of performers, lists of plays and tones in various periods, the theatrical troupe of flower-drum opera has experienced three historical developing periods as follows: the junior one (a small, scantily-equipped traveling theatrical troupe giving shows in villages and small towns), the senior one (a theatrical troupe giving shows of both Hunan opera and flower-drum opera) and the professional one.
随着更多情节和更多曲调的加入，形成了花鼓戏。依据各个时期花鼓戏的演出形式，艺人及班社的状况和表演剧目、使用曲调的情况，湖南花鼓戏的班社经历了草台班、半台班和专业班社三个历史发展阶段。湖南花鼓戏之所以在清代中叶兴起并迅速发展，有三个原因。
4. At the history on, Hunan folk song want early in Hunan Flower Drum Opera.
在历史渊源上，湖南民歌要早于湖南花鼓戏。
5. As they share the similar style, material sources, music tone and form of performance, they are all called Hunan flower-drum opera.
湖南花鼓戏是在地花鼓的基础上发展而来的，以两小戏、三小戏为主。
Hunan opera的解释
6. Characteristics on the concert, and the author of Hunan folk songs and Hunan Flower Drum Opera at audible, language, singing the similarities and differences between the three aspects are discussed in detail and analysis.
在演唱特色上，笔者对湖南民歌和湖南花鼓戏在发声、语言、唱腔三个方面的异同进行了详细的论述和分析。
7. The paper first outlines the history of the two basic characteristics, as well as to Changsha Hunan Flower Drum Opera as a typical representative, through the type of characteristics as well as concerts at two aspects separately on the breadth and depth of analysis, comparative study, and both learn from each other's development prospected.
本文首先概述了二者的历史以及基本特点，以长沙花鼓戏作为典型代表，通过种类划分以及演唱特色两个方面分别在广度和深度上进行了分析、比较研究，并对二者的相互借鉴发展进行了展望。
8. The word of Changsha, which is used in the stage of Hunan Flower Drum Opera, the structure and the mode of the language of Changsha is the basic style of opera music.
湖南花鼓戏以长沙话为其舞台语言，长沙话的语言结构、语言方式是湖南花鼓戏音乐风格的基础。
9. By comparing the analysis, we found that the type of Hunan Flower Drum Opera have their origins in traditional Hunan folk songs, all types are at Hunan folk songs on the development of basic types evolved.
通过比较分析发现，湖南花鼓戏的种类都起源于传统湖南民歌，各个种类都是在湖南民歌种类基础上发展演变而来。
10. Thirdly, the article tries to investigate the traditional moral enchantment of The Story of Lute in the view of modern culture as a well-known classical opera through the situation of its acceptance after 1980s and the acceptance to the classic values in different levels of Hunan opera and other contemporary adaptation which can be traced its origin to the general discussion.
再次，本文论述了《琵琶记》在80年代以后的接受情况，并就与大讨论颇有渊源的湘剧改编及当代其他改编本体现出的对经典价值的不同层面的接受，试图探讨作为古典名剧的《琵琶记》在现代文化视野中的传统道德魅力。
11. Hunan people listen to Henan Bangzi, an opera.
河南人后裔聚在城墙下听家乡戏——河南梆子。
12. The South Korean soap opera the huge success which obtained in China gives Hunan the native place soap opera industry to give a medicinal preparation strong heart injection without doubt.
韩国电视剧在中国取得的巨大成功无疑给湖南本土电视剧产业打了一剂强心针。
13. This essay focus on the exploration of music morphology, singing style, characteristic of performing and present state and development of Qi opera Gaoqiang in Hunan.
本文从湖南祁剧高腔的音乐形态、演唱风格、表演特色及其现状与发展思考四个方面作了初步探索。
14. The evolution of traditional scripts of Hunan Flower-Drum Opera can be divided into three periods.
湖南花鼓戏传统剧本的演变可分为三个时期。
15. We watched the famous Caicha opera when we went to Hunan Province for sightseeing.
这次去湖南旅游，我们特意去欣赏了当地有名的采茶戏。
16. Tea-picking opera is a kind of dramas which spreads widely in Jiangxi, Hubei, Hunan, Anhui, Fujian, Guangdong, Guangxi and other provinces.
采茶戏，是流行于江西、湖北、湖南、安徽、福建、广东、广西等省区的一种戏曲类别。